Friday, January 9, 2009

The 2008 Paulies, Marisa-style (Or the Misies, if you will)

Hi there—so I was initially going to post an official, Jackson-stamp-of-approval Paulies list, but once I read everyone's insightful musings on the year in music, I knew I couldn't even attempt to out-indie anyone here.  But I can match esotericism for esotericism, and I can write what I know.  And thus with that, I give you my 2008 Paulies, Marisa-style: The Year's Top10 Project Runway Episodes.  (Disclaimer: This will be far more relevant/interesting to the Obsolete Vernacular readers who are also part of the Official Project Runway Viewing Group, Brooklyn Chapter.  To the rest of you, sincerest apologies).

 

10.  "Transformation":  While I remain convinced this episode was just a lazy hodge-podge of Season 4's prom dress episode and Season 3's mom episode (only more boring), I still like the overall idea.  The designers had to take a real recent college graduate and create an office-appropriate new outfit that would help get her a job.  If you're like me, you graduated college with little more than grimy flip flops and a North Face fleece to your name (at my fashion-deprived school, you wore both at the same time), so getting a custom-made work outfit would have been a really exciting prospect.  And, furthermore, Jerell rocks the leaf-beret in this episode!  You all remember the leaf-beret, don't you?

 

9.  "En Garde":  I'm a fan of this episode because there wasn't a lot of the over-produced BS that Runway is somewhat infamous for.  The challenge was simple and straightforward—create an avant-garde garment—and allowed the designers to just demonstrate their talent to create, for better or for worse.  Plus, we were introduced to "Team Fierce": designers Christian Siriano and Chris March are paired up into a Project Runway dream team.  The two end up winning with a latte-colored, multi-tiered, Dior-esque ruffled floor-length gown that may be one of the most impressive designs ever created during the show's entire run. 

 

8. "Bright Lights, Big City":  Ok, so this was basically an exact replica of Season 2's episode that sent Chole, Santino, Andre, et al, out onto the New York City streets armed with cameras to snap pictures of "inspiration" off of which to base a garment.  However, in Season 5's version, the designers rode a double-decker bus!  At night!!!  Ok, so the episode itself was lame, but I'm going to have to give props to anything that showcases my beloved city in all its inspirational glory. 

 

7.  "What's the Skinny?":  This was Season 4's transformation challenge, where the designers were supposed to create a new outfit for real-world ladies who had recently lost a bunch of weight.  While the challenge itself was boring and dowdy (as "real-world ladies" tend to be), this is the episode where fan-favorite pretty-boy Jack has to leave due to the flesh-eating virus attacking his face.  Seriously.  In a tearful goodbye (well, I was crying at least) Jack bids his fellow designers farewell—and who should return to take his place but Chris March, the other fan-favorite who was voted off on the previous episode due to some atrocious shoulder pads!  Granted this second chance, Chris proves he is in it to win it and admirably dukes it out 'til the end, where he makes the fatal mistake of using human hair to fringe a jacket.  (See #3).

 

6.  "What's Your Sign?":  This, in my opinion, is actually one of the worst PRs ever.  But I'm putting it on my list because it is perfect in its exemplification of everything that was done wrong in Season 5—the absolute embodiment of all of the season's shortcomings. First strike: we're halfway through the season, and all the designers who were eliminated in previous challenges due to shoddy work are brought back on.  To compete for a chance to get back into the competition? No! Actually, it's for the sole purpose of using their zodiac sign for creating an outfit.  Yes, the episode's title is literal: the challenge is to make an avant-garde garment based off a zodiac sign.  The fact that this challenge was basically copying the "En Garde" episode in Season 4 (See #9) makes for the second strike.  Third strike: all the outfits completely sucked.  But what did we expect when the pre-design collaborating conversations went something like "Ok, so I'm a Libra, so the outfit should look really balanced.  Maybe she should hold scales!" So, let's go over that again: rehashing old challenges + pointless over-produced "plot" twists + cliché challenge + shitty designers=WORST PROJECT RUNWAY EPISODE EVER!

 

5.  "Eye Candy": The Times Square Hershey's Store challenge!  Remember this one? It was pure fun.  The designers are unleashed in the Hershey's Chocolate flagship store in Times Square to grab whatever they can stuff into one bag to use to make an outfit.  I've never been to the TS Hershey's store (God help me), but apparently they sell more than just candy.  True creativity was showcased here as the contestants used candy wrappers, candy bar-shaped pillows, and red licorice (in Jillian's case) to create outfits. 

 

4.  "Good Queen Fun":  This is the over-the-top drag episode in Season 5 which delivered so much of what the rest of the season's challenges were lacking: innovation, creativity, fun, and a touch of the risqué.  Beloved Season 4 contestant and part-time drag queen Chris March returns in this episode (dressed in full Viking-woman regalia, + goatee) to present the challenge: create an outfit for a famous drag queen.  The ladies are all larger than life, and need designs to match.  Hilarity ensues.  The queens are more demanding and outlandish in behavior than any 16-year-old starving Czech model could ever muster up the energy to be—and the best part is when they come in for a fitting wearing their non-drag gear.  As in normal, man clothing.  I had no idea drag queens could look so…um…hetero. This episode also features one of my all-time favorite Tim Gunn quips: "It looks like a pterodactyl from a gay Jurassic Park!"

 

3.  "Finale, Season 4": Christian wins!  The cocky-yet-loveable pint-size designer becomes Project Runway's youngest winner ever at 22.  With a final runway show of sophisticated, urban, and daring designs, Christian wins the ultimate honors at the conclusion of Season 4 with his final Fashion Week show at Bryant Park.  Lots of skinny pants and black.  Lots.  But I love skinny pants and black!  Jillian and Rami put up a good fight though as second and third place, and viewers can be satisfied that they just witnessed the most talented, "fiercest" season of this show (of maybe any reality TV show) yet.  Unfortunately, Chris March does not prove as lucky when he decides there is nothing creepy about incorporating human hair as fringe on his jackets, thus creeping out the judges and cementing his certain elimination from the finale. 

 

2.  "Raw Talent":  This episode was kind of a first for PR.  The show usually attempts to either align itself with serious fashion or real-world "transformation" type-challenges, but this was its first (intentional) foray into bad taste.  The designers are challenged with creating a costume for WWF  female-wrestling "Divas".  So we're talking spandex, glitter, and boobs.  Lots of boobs.  The audacity of PR just to go there warrants the #2 spot on my list—with bonus points given for the fact that the increasingly annoying Ricky (and his hats) get kicked off in this episode.  

 

1.  "The Art of Fashion": The last episode before the season 4 finale, remaining designers Rami, Chris, Christian, and Jillian accompany Tim Gunn to the Metropolitan Museum of Art to get inspiration for their next challenge.  Not only was it a challenge that married the creative aspects of art, history, and fashion, it paid homage to the overall inspiration that lives within New York City and one of its quintessential landmarks.  And the most inspiring part was that they were let in before opening, so the museum was completely deserted.  Not packed in ass-to-elbow with school groups and tourists at the Met? Actually getting to see the art?  How very un-New York.  Christian and Jillian shone on the runway with their impeccably tailored jackets, but unfortunately Rami went all Rami on us and created a Grecian-style wrap dress inspired from the Greek and Roman room.  Which would have been cute if a) It wasn't the most obvious option in the whole museum and b) He hadn't already made the same dress for the last 15 challenges. 


And because there will probably not be a Project Runway in 2009, or if there is it will be on Lifetime and in L.A. and so I wouldn't deign to watch it, I want to officially bid this show my auf wiedersehen! 

Mark's Paulies Submission

Hi. I'm Mark C. Friend/ex-bandmate of Paul's. Ancient history Ph.D.
candidate. Love metal. Love pop. Love blues. Loved indie rock from
2001-2006.

TOP ALBUMS

6.) ARSIS, We Are the Nightmare. Technical death metal that's really
technical and really deathy. Cool.

5.) WARSHIP, Supply and Depend. Simple, sweaty, riff-driven hardcore.

4.) ELUVEITIE, Slania. Folk metal = death metal + folk instruments!
The band has a hurdygurdy player! The lead singer screams in the
cookie-monster voice and then stops to play the Irish tin whistle! All
the songs are about ancient Gaul! Yes yes yes yes!

3.) TRIVIUM, Shogun. After dabbling in pretending they were Iron
Maiden and Metallica, Trivium get back to their metalcore roots.

2.) UNEARTH, The March. New Wave of American Metal champions pull through again.

1.) PROTEST THE HERO, Fortress. Another group of absurdly talented
kids who should be too young to be this talented (see also August
Burns Red, The Number Twelve Looks Like You).


OTHER ALBUMS

BLOC PARTY, Intimacy. I ADORED Bloc Party and did my best to hold onto
them this year. But I have no idea what this is. It's a bad kind of
unlistenable.

WEEZER, Red Album. Yes, most of the album is disposable. But did you
all listen to "The Greatest Man That Ever Lived" and "Dreamin"? For
two songs, Weezer gets back into Blue Album/Pinkerton form.

METALLICA, Death Magnetic. This is confusing. Metallica asked Rick
Rubin what their next album should sound like and he told them to go
and write the second half of Master of Puppets. And on paper, they did
to some extent. It sounds like an album I should love: the riffs are
back, the long songs are back. But I don't like it at all. The good
Metallica albums still sound TERRIFYING to me. The anxiety in the
lyrics, in Hetfield's voice, in the riffs (the intro of ...And Justice
for All sounds like the end of the world approaching)... the formulas
were applied on this album but they're no longer effective because
other bands now have better ones. Metal is more metal than Metallica
now. That and the production... I remember Paul bringing to our
attention an article about how music is mastered louder than it used
to be. Death Magnetic takes this to an extreme... the tracks are all
overdriven to the point of distortion. A clever choice, conceptually.
In reality it's distracting.


POP

Katy Perry and Lady GaGa made pop fun again! By this I mean that the
pop princesses of the last few years (Rhianna, Britney v 3.0,
Beyonce), as bubblegum as they may have been, still had this
unnecessary air of seriousness. Katy Perry and Lady GaGa celebrate pop
bliss and revel in its silliness and actually look like they're having
fun doing so. Sure, it may be a manufactured fun, but when I'm
listening I don't care.

I'm really disappointed to see people on this list taking potshots at
Katy Perry. I thought we were better than this. Let's go over it
again: albums/songs/artists, like movies, must be critiqued on their
own terms. Ebert's favorite movie is Citizen Kane, but he loved Speed
and thought it should have been nominated for an Oscar. No, One Of
The Boys isn't In The Aeroplane Over the Sea. But it's not supposed to
be. Be fair.

Seriously though... I thought of making my whole Paulies entry a
second-by-second commentary on the video for Katy Perry's "Hot and
Cold." I think I've watched this video about 50 times. I haven't loved
a video this much... rephrase... wanted to BE IN a video this much
since My Chemical Romance's "Helena." I think I'm a sucker for playful
choreography.

Oh... Dr. Luke and Max Martin are the new Matrix.


MOVIES

Why have I not heard from more people about Synecdoche, New York? This
is definitely the scariest movie I have ever seen, and one of the
best. My strongest reaction to a movie ever. Are people bothered that
Charlie Kaufmann can be overbearing in his cleverness? Is there such a
thing as being too clever? I think to retell one of the most cliched
lessons ever, you have to be as clever and original as possible.

SHOWS

The Number Twelve Looks Like You are the most talented, compelling
live band on earth. Not since The Polyphonic Spree have I been so
excited to be watching a band do what it does.

TV

Gossip Girl.


OTHER DISCOVERIES

Post-metal. Took me longer than it should have to get into this.
Rosetta, Baroness.

More blues albums. Koko Taylor's early Chess work. Junior Wells' early
stuff with Buddy Guy. Magic Sam. Lots of stuff re-issued by Delmark
records.

Nile. Death metal + history = Nile. Songs all about Egyptian history
and mythology. In their liner notes, after the lyrics for the songs,
they include an essay providing historical commentary (of surprisingly
decent caliber) about the lyrics. Oh also one of the fastest bands
ever recorded.

Tuesday, January 6, 2009

Proposed Paulies Salute

to Ron Asheton
http://news.bbc.co.uk/2/hi/entertainment/7814150.stm

--
www.eamonn-aiken.com

Headrick's toppest ten

Hey Paulie People,

Alex here. I humbly submit my top ten albums of 2008 in no particular order. Looking back, I realized I regularly listened to exactly 10 albums released last year, which made my selection process easy. Here's what I listened to and why.

Portishead – Third

This one's been talked about plenty, and I honestly haven't listened to it enough to say much more than that I enjoy it. I don't love it, but I suspect it'll grow on me. My first impression was that I wanted it to be more like Dummy, which isn't fair. My favorite track for now is Small. I'm a sucker for that waltzy pulsing organ.

Hot Chip – Made in the Dark

This one gets better as it goes along. I'm somewhat new to Hot Chip, only having heard of them immediately before seeing them at Coachella '07. Their desert performance sold me, and I quickly picked up their studio work. When Made in the Dark came out, I bought it immediately and was pleased, but not thrilled. Many months later, Made in the Dark has remained among my favorite albums and I'm continually surprised by the album's depth. After enough listens, it surpassed their older work as my favorite Hot Chip album.

The Mighty Underdogs – Droppin' Science Fiction

I was a little surprised to see GZA and Q-Tip on so many top tens this year. I'm perfectly content putting on Liquid Swords or The Low End Theory when I need my fix from them, although I still want to give the new ones a listen to see what I'm missing. I felt let down by hip-hop this year a bit; the only release I really dug was this predictably hot offering from the cream of the Quannum MCs crew (Lateef the Truth Speaker and the Gift of Gab) on a Def Jux release. The album lags at times due to proficient but somewhat dull beats from producer Headnodic, whom I wasn't familiar with before. But the quality of the MCs and their guests (Lyrics Born, Casual, The Perceptionists) carry the album far enough. If you're a Quannum or a Dex Jux fan, this will do the trick. You won't abandon Nia or I Phantom for it, but it'll do until someone brings the new hotness.

Guns N' Roses – Chinese Democracy

Chinese Democracy wins a spot by exceeding low expectations. I fully was convinced the album would be a mess. The leaked demos were garbage and Axl's 2001 reunion Brazil performance with Buckethead was unconvincing. Being that Guns N' Roses formed my early Triumvirate of Rock (along with Aerosmith and Nirvana), I had high hopes for this for a while, which eventually faded into low ones. So when I listened to Chinese Democracy, I was pleasantly surprised to hear neither nu metal pandering nor Use Your Illusion rip-offs. Chinese Democracy really is a unique album living up to the GN'R tradition and I'm stunned. I'd already been burned by The Spaghetti Incident, so this was an amazing turnaround in my eyes. There Was a Time is epic and Shackler's Revenge is sticking around in my head like Slipknot never will. Most importantly, Chinese Democracy kicks the ass of every Velvet Revolver album combined. Thanks for making me care about GN'R again, guys.

Girl Talk – Feed the Animals

This was my musical crack in 2008 along with The Bird and the Bee. I had to cut myself off from this album because I was listening to it nonstop and neglecting other worthy artists for it. I vaguely despise mashups as a genre, but this collection is impossible to hate and after a listen and a half, impossible not to love. I can't help but enjoy an album that references Ahmad and Aphex Twin in one song, then Radiohead and Ace of Base in the next. It's only dislikable in theory. If you don't love this album, I suspect you hate music.

Meshuggah - Obzen

This is the only pure metal on my list, and if you're not a metal head, odds are you won't like this one. But dammit, it rocks so hard, and I haven't found much this year that makes me as crazy in a good way as this album. For the uninitiated and casual fans, all you need to check out is Bleed off of Obzen. If listened to correctly, it will make you bang your head.*

*If you are a drummer, you should also wear Depends.**
**That is not a reference to the disgusting album art, but rather the intensity of the track's double bass.

M83 – Saturdays = Youth

This is the latest addition to my "I'm going to bed in 40 to 60 minutes and I need something chill to see me to the end of the night" catalog. It's a popular top ten '08 choice good reason. There's almost nothing offensive on this album; it's unlikely anyone will complain if you put this on in most circumstances. Mega bonus points to the group for the insertion of the awkwardly delightful triplet fills in Kim and Jesse — you've made at least one, probably many, drummers happy with that touch, M83. Thanks to Midnight Souls Still Remain, I can give Brian Eno's Music for Airports a break for a while.

The Sword – Gods of the Earth

I find charges of Hipster Metal offensive and will defend to the death The Sword's right to rock without derision. My only gripe with Gods of the Earth is that it doesn't rock as hard as Age of Winters. After many listens, I've decided it rocks plenty hard, and I'm well pleased. When I want brainless, mostly lyric-free rock that's chock full o' riffs, this is an excellent choice.

Black Mountain – In the Future

Canadian psychedelic grooves with just enough Sabbath to keep me interested. I'm still figuring these guys out. I liked their self-titled LP better, but may need to give this one more time. It recalls a lot of late 60s/early 70s trippiness, but in a more intelligent way than a lot of straightforward classic rock revival bands. Listening to this, you might catch a bit of Pink Floyd here and there; listening to Wolfmother, you'll think "this is a Deep Purple song." If you haven't heard Black Mountain, I'd recommend starting with their first LP, especially the track Druganaut.

Flight of the Conchords – Flight of the Conchords

Because Okkervil River makes me want to take a nap.

Sunday, January 4, 2009

Paul Jackson's Lyste

No album list this year, but I've put together my top 10 music items from 2008.


10. Merry Christmas!


9. The Music Podcast.
For whatever reason (the snark, the tone, the long-windedness?), music blogs and music review sites generally rub me the wrong way. But music podcasts? Love 'em! Informative, aural, nimble, there's four in particular I'd recommend:
Sound Opinions - From the top NPR station in America (WBEZ Chicago), Jim & Greg give a nerdy, thoughtful take on the week in music. News, reviews, interviews, etc. My favorite of the lot.
KEXP Weekly. Just a weekly mix tape from KEXP out of Seattle. 
All Songs Considered. Hit or miss, but worth the weekly listen.
New York Times Popcast. They're the smartest music writers in America, led by Jon Pareles and his crew. And while the podcast covers too much mainstream country, too much mainstream pop, and a bit too much emo, the reality is you're left well informed on what the hell is going on in music. And that Sia Michel, roar.

8. 88 Drummers, August 8, 2008, The Williamsburg Waterfront Park
Recycling the '07 idea, but with Gang Gang Dance at the helm instead of the Boredoms (who were in charge of the Los Angeles version of it). With 11 more drummers than last year, it was an occasional noise-mess, but more often than not, a spectacle.

7. Two hip hop tracks worth mentioning:
TI, Whatever You Like. What a great boast rap, and a nice return to form for T.I. Though he'll be behind bars for most of 2009, I'm predicting album of the year honors for 2010.

The Game Feat. Lil Wayne, My Life. Biting Ye's style, this is still pretty smooth with an incredible chorus from Weezy.

6. Notable songs of 2008
Vampire Weekend. A-Punk. Charm to spare.
Kanye West. Love Lockdown. Kanye can still do no wrong by me.
The Teenagers. Feeling Better. I'm fairly certain I hate this band, but still a great anthem of 08.
Fleet Foxes, White Winter Hymnal.  My favorite song of the year, along with "A Milli."
Sigur Ros, Gobbledigook. Best thing I've heard from this band yet.
The Killers, Human. Are we human, or are we dancer? I ask you.

5. Three Museum performances.
Three notable shows at my workplace:
Sigur Ros, which has been mentioned a couple times. 
The Screaming Men's Choir. Click to watch.
A night of Bowie music videos hosted by Thurston Moore. Got to meet the man in question, and set up this Nylon TV interview.

4. On Turning the Corner
Almost as important as the annual music discoveries are the breakups: artists you loved, but no more. And I've devised this break-up scale as a guide.
The living-in-different-cities-total-breakup: Bands that you are completely done with. In 2008, Oasis released the critically derided "Dig Out Your Soul," and can't say I was the least bit curious on this one. Same for Beck's "Modern Guilt." 
The still-talking-and-occasionally-hooking-up-breakup: With these bands, the relationship is over, but you know, not totally over. Weezer's "Red Album" didn't warrant a listen from me, but Rivers' solo album sounded intriguing. 
The signs-are-all-there-breakup-on-the-way: Definitely in a relationship with these bands, but might not be picking up the next album. I've enjoyed what I've heard of Coldplay's "Viva La Vida," but I don't see much of a future there. 

3. LP's
Besides the obvious soul/Stax/Motown stuff all us 20-somethings are re-discovering (Marvin Gaye, Otis, Smokey, Sam Cooke, etc.), here's a smattering of LP records I discovered in 08:
The Best of Roy Orbison. He certainly had the great voice of Sun records (sorry Elvis, Johnny, etc.), but "Crying" is easily one of the best things I re-discovered in '08. If you have a second, watch the clip below, especially 1:50 to the end. This is seriously spiritual.


The construction of The White Album. Bob Boilen recently did a great anniversary program on the White Album, and one point couldn't be stressed enough - this album makes no sense on a CD. Designed with very exact, natural breaks as a 4-sided object, the breaks between "Happiness is a Warm Gun" & "Martha My Dear," and "Long, Long, "Long" & "Revolution 1" are necessary and valuable.
Louis Jordan - a more ribald Louis Armstrong, with such greats as "What's the Use of Gettin' Sober (When You're Gonna Get Drunk Again)" from 1942, mind you.
Abba, Greatest Hits, Volume 2. Goes without saying.

2. New Orleans horns, pianos, guitars.
Dirty Dozen Brass Band, Rebirth Brass Band, Professor Longhair, and Fats Domino are all personal favorites from this year. Seek them out at all costs.

1. New Orleans rap - Lil Wayne's "Tha Carther III" & The Knux's "Remind Me in 3 Days."
Earlier this year I read Nik Cohn's "Triksta," a first hand account of New Orleans rap by an old white journalist. Not great, but a useful primer on the New Orleans sound and the Triggaman beat. However, the two big New Orleans rap records of the year, including the year's top selling album, have little to do with that distinct sound. But the lyrics? That's a different story.

From Weezy:
"Hollygrove I throw it up like I'm tryna lose my gut" & "Straight off the corner of Apple and Eagle"
Apparently Lil Wayne and I grew up near each other, in fact here's an exact map of directions from his house to mine (less than 4 miles apart that whole time...):

&
"My whole city under water, some people still floatin/ Then they wonder why black people still voting, cause your presidents still chokin/ Take away the football team, the basketball team
/ Now all we got is me to represent New Orleans"

And from the brother rap-duo, the Knux:
"Laissez les bon tomps roulez like a jaguar/ Cafe du Monde, beignets, ho's I bagged y'all"

And with references to Cheesecake Bistro, the New Orleans Saints, etc., great local lyrics. Here's the Knux's big song of '08:




----

* I'd recommend Rolling Stone's list of the top 100 singers of the pop-rock era. 

* In movies, I'm giving it up to Wall-E for film of the year. 

* In art, Prospect 1 was the event bar none. 

All for now, but additions sure to come. -PGJ

celeste is not hip and with it

i guess this past year i was so busy singing along to embarrassing 90s alternative music and busting embarrassing moves to bad rap music that i neglected to pay attention to what the cool kids were listening to. the only current album i added to my collection was lil wayne's tha carter iii. i recommend it, especially for the amazingly dirty lyrics on the hit song lollipop, which you're probably familiar with if you turned the radio on at any point this year (i guess i did listen to the radio, but i don't know how i did so without discovering any new music).

on new year's eve the bartender played this music video, and i feel like it changed my life... lionel richie - hello, the stalker video: